Speaker Bios

2019 Speaker Bios

Major Jackson is the author of four collections of poetry: Roll Deep; Holding Company; Hoops; and Leaving Saturn, which was awarded the Cave Canem Poetry Prize and was a finalist for the National Book Critics Circle Award in Poetry. His poems and essays have appeared in AGNI, American Poetry Review, Callaloo, The New Yorker, Ploughshares, Poetry, Tin House, and in Best American Poetry. He is a recipient of a Pushcart Prize, a Whiting Writers’ Award, and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress.

Marie Howe is the author of four volumes of poetry, Magdalene: PoemsThe Kingdom of Ordinary Time; The Good Thief; and What the Living Do, and she is the co-editor of a book of essays, In the Company of My Solitude: American Writing from the AIDS Pandemic. Her poems have appeared in The New Yorker, The Atlantic, Poetry, Agni, Ploughshares, Harvard Review, and The Partisan Review, among others. She has been a fellow at the Bunting Institute at Radcliffe College and a recipient of NEA and Guggenheim fellowships, and Stanley Kunitz selected Howe for a Lavan Younger Poets Prize from the American Academy of Poets. In 2015, she received the Academy of American Poets Poetry Fellowship, which recognizes distinguished poetic achievement. From 2012-2014, she served as the Poet Laureate of New York State.


Benjamin Alire Sáenz is a poet, a writer of fiction (young adult and adult) and children’s books. He is also a respected painter. His work has won him wide acclaim and an international audience. He has authored ten novels and two collections of short stories, the latest of which—Everything Begins and Ends at the Kentucky Club—won a Lambda Literary Award and the PEN Faulkner Award for Fiction in 2013 (the first Latino to have won the award). His work in poetry has won him a Stegner Fellowship at Stanford University, An American Book Award, and A Lannan Poetry Fellowship. His acclaimed Young Adult novel, Aristotle and Dante Discover the Secrets of the Universe (Simon & Schuster) has been translated into 19 languages and was awarded The Stonewall Award, The Pura Belpre Award, A Prinz Honor Book Award, a Lambda Literary Award, and the Prix des Incorruptibles (France). This year Clarion published his newest Young Adult novel The Inexplicable Logic of My Life to much acclaim. The Last Cigarette on Earthis his seventh collection of poetry.

Vievee Francis is the author of three books of poetry: Blue-Tail Fly (Wayne State University Press, 2006), Horse in the Dark (winner of the Cave Canem Northwestern University Poetry Prize for a second collection, Northwestern University Press, 2016) and Forest Primeval (winner of the Hurston Wright Legacy Award and the 2017 Kingsley-Tufts Poetry Award). Her work has appeared in numerous print and online journals, textbooks, and anthologies, including PoetryBest American Poetry 2010, 2014, 2017, and Angles of Ascent: A Norton Anthology of Contemporary African American Poetry. She has been a participant in the Cave Canem Workshops, a Poet-in-Residence for the Alice Lloyd Scholars Program at the University of Michigan, and teaches poetry writing in the Callaloo Creative Writing Workshop (USA, UK, and Barbados). In 2009 she received a Rona Jaffe Writer’s Award, and in 2010, a Kresge Fellowship. She serves as an associate editor of Callaloo and an associate professor of English and Creative Writing at Dartmouth College in Hanover, NH.

Forrest Gander is a writer, translator, and editor of several anthologies of writing from Spain and Mexico. Be With, Gander’s most recent collection, was longlisted for the 2018 National Book Award. His 2011 poetry collection Core Samples from the World was a finalist for both the Pulitzer Prize and the National Book Critics Circle Award. His other books include two novels, As A Friend and The Trace; the poetry collections Be WithEye Against EyeTorn AwakeScience & Steepleflower; and the essay collection Faithful Existence: Reading, Memory & Transcendence. Gander’s essays have appeared in The Nation, The Boston Review, and the New York Times Book Review. He is the recipient of fellowships from the Library of Congress, the National Endowment for the Arts, the Guggenheim, Howard, United States Artists, and Whiting Foundations.


Sherwin Bitsui is the author of three collections of poetry, Dissolve, Flood Song, and Shapeshift. He is the recipient of a Whiting Award, an American Book Award, and the PEN Book Award. His poems have appeared in Narrative, Black Renaissance Noir, American Poet, The Iowa Review, LIT, and elsewhere. He is Diné of the Todí­ch’ii’nii (Bitter Water Clan), born for the Tlizí­laaní­ (Many Goats Clan), and has received fellowships from the Lannan Foundation and the Native Arts & Culture Foundation.




Born in Mexico City and raised in Texas, Natalia Treviño learned English from Bert and Ernie on Sesame Street. She is the author of Lavando La Dirty Laundry (Mongrel Empire Press, 2014), which was a finalist for several awards, including the International Rubery Award. Her new collection, VirginX (2018),  was a finalist for the Finishing Line Press Open Chapbook Contest. Her poems have won the Alfredo Cisneros de Moral Award, the Wendy Barker Creative Writing Award, the Dorothy Sargent Rosenberg Poetry Prize, the San Antonio Artist Foundation Literary Prize, and the Medana Literary Award at the Ditet e Naimet  International Poetry Festival in Macedonia. She is a Professor of English at Northwest Vista College and on the Ad Hoc Advisory Board of the Macondo Writers Workshop.

PURE GRASS . . . an experience with Walt Whitman’s Leaves of Grass

 The late Minnesota poet Bill Holm once said of PURE GRASS, Bruce Noll doesn’t really perform Walt Whitman . . he summons him. In a dark room he lets Walt talk his poems, and after an hour, an eerie and lovely thing happens: Walt is alive in a room in the Midwest, reminding us of why we love him and what he tells about America.

Bruce Noll was raised in Monticello, Minnesota, where he graduated from high school. Nine years later in 1970 he first edited together PURE GRASS from selections of Whitman’s Leaves of Grass in Vermont. Several years later, he received a grant from the South Dakota Arts Council. Before long, he was moving among the surrounding states. To date, he has taken his Whitman to China, Italy, Portugal, Iceland and South Korea and 27 of the U.S. states. Noll moved to New Mexico 20 years ago and is retired from the University of New Mexico. He has been with the New Mexico Humanities Chautauqua Council for 16 years.